Tag Archives: Last Loft Studios

Farewell to Cornbrook, Last Loft Artist Studio Group Moves On


I have loved working in my space at Last Loft Studios in Talbot Mill for the past 10 years or so. During my time here, various artists and makers have left the group to relocate across the globe and new artists have joined. The current mix is a vibrant and happy collective with a wide range of skills and experience, producing a fascinating and eclectic creative output. We have just exhibited within the mill as part of “A Grand Exposition“, an ambitious event organised by the guys on the 3rd Floor – Cornbrook Creative – in collaboration with Manchester Science Festival supported by the developers Capital and Centric, who have recently purchased the building for development.

Setting up the Last Loft exhibition at Talbot Mill’s “A Grand Exposition” event. In the foreground “Its Bark is Worse Than Its Bike” sculpture by Caroline Channing

Last Loft Studios was established by artist Liam Curtin in 2005. Liam was Manchester City Council’s first ever appointed artist-in-residence for the new Northern Quarter in 1994 and was instrumental to its early cultural development. He took on the 2nd Floor unit in Talbot Mill on Ellesmere Street for studio space in 2005. As Liam signed the contract for the Talbot Mill unit, I had just moved to a space in Wellington House in Ancoats, following almost two years renting a studio in the Northern Quarter. A year later, I left Wellington House to join Liam’s evolving new group.

Tracey Cartledge at work at Last Loft Studios, 2nd Floor, Talbot Mill, Ellesmere Street

The appeal of Talbot Mill was strong. It is very much part of Manchester’s powerful industrial heritage, just like other surviving mills and warehouses close to the Bridgewater Canal in Cornbrook. Including the mill where I had my first studio as a member of SIGMA – Sculptors in Greater Manchester Association, from 1991 to 2003, also on Ellesmere Street. The old SIGMA premises was in Terres Building, now an apartment block called Albert Mill owned by Urban Splash. For artists in Manchester, these run down mill spaces have proved ideal for studio space over the past 30 years. The rents have been affordable, the space and light is unparalleled, there is usually an antiquated goods lift and useful loading bay and the locations tend to be conveniently close to the city but outside expensive parking zones.

Exhibition Catalogues from SIGMA group shows at Bury Art Gallery and Stockport Art Gallery (1994)

SIGMA was set up in 1983 by a small group of recent fine art graduates to provide space specifically for sculptors in the North West Region, around the same time as their contemporaries set up MASA – Manchester Artist Studios Association. SIGMA received significant grant funding and the founding group of artists were well supported by the visual arts officer, Virginia Tandy, of what was then the North West Arts Board. Virginia continued to make regular visits to Manchester’s studio groups, providing useful advise and assistance about grant applications, studio administration etc. Later, the NWAB was absorbed into Arts Council England and Virginia Tandy went on to other roles including becoming director of Manchester City Art Gallery, overseeing its major expansion and refurbishment in 2002. (She was awarded an OBE for her services to the arts in 2009)

Recent workshop in my studio space at Last Loft Studios, Talbot Mill, with visiting Australian artist Marian Shapiro. October 2017

Last Loft Studios has operated independently without any form of subsidy or grant for the arts. It has simply acted to provide work space for artists at the lowest possible rent, nothing more and it has done this very well. However, other artists and artist groups came and took space in the building and in neighbouring buildings, continuing to build on the ‘buzzy’ creative community of Cornbrook that began with SIGMA and, just ahead of SIGMA, a small group of artists in a railway arch around the corner. One of these was friend and sculptor Adrian Moakes, who stayed there until he, too, was finally forced to move out only a couple of years ago. Some of these creatives came together to celebrate their time in Cornbrook in the three day event that also served as a fond farewell for us as we get squeezed out by the rapid surge of development in the vicinity of Ellesmere Street.

So, it’s time to move on again. This time, the artists of Last Loft Studios are moving together. We have found space at Brunswick Mill in Ancoats in time for a new start in the new year. At least for the short foreseeable future…

 

 

 

 

 

 

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Studio Workshops – Sign Up!!


New Dates for Summer 2016

If you’re fascinated by mosaics and would like to learn the basics, coming to one of my studio workshops is the ideal way to get started. The creative process is absorbing and therapeutic. The feedback from previous workshops has been very positive and enthusiastic.

Here are the dates and links to my main website, where you can book your place securely:

WORKSHOPS

Through the Looking Glass, Adventures in Mosaic Glass Appliqué


We love receiving visitors at Last Loft Studios in Manchester. It is an opportunity to share the fondness we have for our working environment at Talbot Mill and our respect, admiration and affection for our fellow artisans.

Even better are the occasions when visitors attend a weekend workshop to spend a joyful day with us exploring creative possibilities using the techniques that we can teach and share.

This Saturday, we had the pleasure to welcome five wonderful women into our studios, each bringing their own talents, experience and ideas to the table as we worked together to make glass-on-glass mosaic mandalas.

Caroline Channing – our resident glass expert – kicked off the day to a fine start with a meticulous demonstration of glass cutting techniques and a clear explanation of which tools to use for each purpose and how and why each specific method works. The group then practised and fairly quickly mastered the basic skills required for the day ahead.

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Test piece by Deborah Pitman, photo by Deb Pitman

Each participant made a small test piece that was grouted and finished before the day ended. They went on to create their circular mandala using their newly acquired knowledge. We think the results are stunning…